The Egg Café open mic/floor (by Ruth)

Every now and again a local music paper will claim that such and such an open mic event is "probably Liverpool's oldest". This is (usually) my reaction:










You see, I remember 1997, when I was a student at Liverpool Uni, and helped promote a poetry-only open mic event at Liverpool's veggie hangout, the Egg Café. The event changed hands shortly after I'd left university, and it started to welcome musicians, too; I moved to London shortly after that, and didn't attend for a good many years indeed, but it continued, changed hosts yet again, and by the time I started singing unaccompanied folk songs in 2011... it was still there. In fact, it was the scene for mine and Marc's first ever gig together, in 2012, when we were two people singing and playing some carols, rather than Moss & Jones.


It's still going now, 18 years since I first started going. (In fact, it isn't the longest running open mic in town; that honour goes to the Dead Good Poets, at least, as far as I'm aware. But it's probably the longest running open mic that isn't just poetry.) It's changed so much in those years. Even in the last four since I started going again, I've seen a turnover of 'regulars' several times; sometimes it's students who come and perform for a year or so and then leave town on graduating; sometimes it's musicians in the early stages of their career who use the Egg's welcoming open mic as a starting board, and when they get a little more well-known, they go less often to open mic events; sometimes people just decide they prefer a different open mic, maybe one with a microphone, and take their friends with them. But new people always come and take their place; keep things going and busy. 

And certainly since I've been part of Moss & Jones, Tony Kehoe has compèred the event, his idiosyncratic presenting skills including lyrics performed as poetry, in addition to performing his own songs. A friendly chap, Tony always encourages the audience to give performers - especially new performers - all their support. His exuberance might take a little getting used to for newbies but it's definitely worth it.

Last night, Monday 3rd August, included the usual mix of poetry and music; covers and originals; it's great to see Tony Kehoe's daughter continuing to develop her skills as a singer and musician; Tony had some new songs which we enjoyed; there were quite a few of us who'd travelled over from St. Helens so it felt like we had a bit of a gang there, though the atmosphere is always supportive anyway. 

We played a couple of songs too and people seemed to like them; friends played new songs too and read old poetry and it was all marvellous.

One of the things I love about performing at the Egg is that it's completely unamplified. It's open mic in name only; a more appropriate phrase might be 'open floor'. It's great for us; that's how we practise of course, so we're very used to it. There's also no stage as such; performers are on the same level as the rest of the audience; they are on the floor, standing just in front of the people listening. For me that's a wonderful thing; it emphasises the fact that performers, too, are audience; there's no getting up and nipping to the pub for a pint once we've done our set; we stay, and we listen. Sans microphone and sans stage there are no barriers between performer and audience and personally, I really like that freedom. 

On a practical level, not having to sing through a microphone means that I am able to move a little more too whilst singing and playing. There are no wires and cables to trip over, either, and the sound is solely determined by mine and Marc's performances, not partly by an engineer. That does, of course, mean that if performing at the Egg, it's wise to remember this, and if used to singing through a microphone, it might be wise to increase the volume a bit. 

We now go to a variety of open mics, and play various full gigs too (this Sunday, we'll be back at the Bombed Out Church), but the Egg was where we started, it's my favourite café in town (I've been going since my late teens, so it's always been the Egg for me, rather than the Acorn) and we'll always go back to play every now and again... as long as they'll have us!

The open mic at the Egg runs the first Monday of every month except if it's a bank holiday, in which case it's the first Monday after the bank holiday Monday. 

Last night (Thursday 10th July) at the Brink open mic, by Ruth

I don’t half love the Brink. Partly this is because the Brink is a dry bar, and I drink about once in a blue moon, so it’s great to go somewhere where everyone else is as sober as me, but that’s far from being the main reason. The Brink really is one of the friendliest places in town. It’s really family-friendly too; whenever I take my son there he loves it. There’s always some interesting artwork up on the walls too, plus a great selection of books to read if you’re at a loose end after you’ve done the shopping. There is always something on that looks interesting (one day I’ll get to one of those Beatroot events they have on, although I confess I’d be going more for the music than the health food lecture) including a rave night (whoever came up with the idea of a rave where you can have a sit down and a nice cup of tea, then leave to go home at eleven, is a GENIUS. Over thirties and/or people with children have been crying out for this for ages). There’s the food, which is gorgeous (and the Sunday roast is in a league of its own). And of course there’s the weekly open mic.

There’s such a great vibe at these open mics that we chose to announce our engagement at the one back in March. Really welcoming, and very little in the way of ego, too; established musicians play alongside first timers; poets and rappers mingle and it all takes place on a really well-equipped stage with excellent sound.

Last night was particularly busy, as first up, there were a bunch of people from Crisis having come down en masse to perform a mix of poetry and music. Hard to pick a favourite, and they were all on in quick succession so I didn’t get chance to get everyone’s name but the chap who particularly stood out to me was a rapper who, just when everyone thought he’d finished his piece, got back up for a second with absolutely pelting word-perfect delivery. Brilliant! It was great to hear some of Lee de Pablo’s poetry too (his Mum taught me in my first senior school) and maybe next time he’ll read it himself? There was a woman who had written an absolutely amazing song, despite, as she said, not being a singer. Its blend of really dark humour (“you’re all gonna die”) and post-apocalyptic proclamations about the digital age were absolutely fantastic. It seems as though almost everyone from the group had to leave before the end, which is a shame as I would have liked to have chatted and found out a bit more about their various pieces; maybe they’ll come again?

It’s great when there’s a mix of poetry and music at events like these, and another poet who stood out was a fella who read two really moving pieces which flowed between poetry and rap; David Barnicle (the host) said he’d been trying to get him to read for ages and I’m glad he did; amazing stuff.

Musicians included David himself, who played three songs including one of my favourites Some People Are (which for some reasons seems to have disappeared off Soundcloud, but other songs are available). Gary Maginnis and the Like performed some songs with David on the Brink’s sparkly new drum kit, including the poignant Blood. Some of their songs had a kind of Americana vibe which worked well with Gary’s Irish lilt. I have a feeling I’ve seen Gary perform solo at an open mic event in the Walker Art Gallery actually, with more of a folky feel, but I could be completely wrong and misrepresenting the poor lad in which case I apologise!

Dave Miller delighted everyone with his … what to call them; accompanied soundscapes? I can’t find an example online so you’ll just have to make do with that description.

We played a handful of songs, including our single, Shepherd’s Delight (It’s Not Time To Go To Bed). David took a photograph which hopefully I’m okay to use here (if not, I’m sure he’ll let me know) of us playing Millbrook. 


Before I tell you about my highlight of the evening, I’d like to say I’m sorry to anyone I’ve missed out. Thing is, I didn’t come with the intention of writing about the gig (if I had, I would have brought a pencil and paper) but to listen, and with so many excellent performances, I was listening very much ‘in the moment’ rather than making mental notes. That’s the problem witn any open mic event of course; it goes so quickly with so many different performances that sometimes you forget names and then when you want to look someone up… you can’t! But it’s also its beauty of course; it’s like tapas, or a smorgasbord, each different taste experienced and gone before you can blink.

Anyway. Everyone was great, but the absolute highlight of an already-wonderful evening for me was hearing Laura and Claire, two young women who play guitars and harmonise together beautifully. Now, full disclosure, Laura runs the new music show on Halton Community Radio, which is how I knew of her; she’d played our single a couple of weeks back. But I promise this isn’t the reason I liked her duo; they really were amazing. They reminded me a little of another local duo, Just By Chance (who I also first saw at the Brink), with their close harmony vibe, and that similar feel that you get when you see two people perform together and you know they get on like a house on fire off stage too. Anyway, fantastic arrangements and really, really ‘listenable’, too. Okay, it’s not a word, but you know when you see a new-to-you band live and you think, “I would totally buy a CD and put it on while I was cooking and then probably burn the tea because of being caught up in the music “? Well, that. I’d like to see/hear this pair play again.

But that said, everyone was great (I’d like to think we were pretty good too) and it was a fabulous evening. But as you know now we never do a gig where we don’t learn something and in fact, I had something of an epiphany.

I constantly compare us - especially me, and my voice - to other musicians, and it usually brings me down. In fact, I’ve sat in gigs before and thought, “god, they’re so much better than us, so much better than me, who is going to want to listen to my voice after hearing them?” Last night I realised that not only is this a fast track route to misery, but I realised something else too. Our sound is all ours. There are lots of things we (me especially) are still learning but if we didn’t play live ever until we were absolute virtuosos on all our instruments, we’d never play at all. There is always room for improvement, and I practise every day, but together, as Moss & Jones, we have a unique sound which quite a few people seem to really like.

As for my voice… well, voices are such personal things aren’t they? And instead of spending my time wishing I sounded like Sandy Denny / Kate Bush / Jacqui McShee / Isobel Campbell, I am starting to accept and even like the fact I sound like me. The important thing is to keep practising (for example, taking breaths in the right places so I can really belt out those long, high notes when they come along, multi-tasking so I can sing perfectly in tune even when I’m concentrating on the glockenspiel, and learning the difference between challenging myself, and setting myself an impossible task).

So: a great open mic night at the Brink then. Our next gig is this Saturday at Liverpool’s View Two Gallery on Mathew Street, for Liverpool Acoustic, and after that, we’re performing at St. Helens’ Big Busk event in Victoria Park on City Road. Come along to one or both! They’re free to attend.

Open mic at Hopskotch

Last Wednesday, 14th May, we went to a new-to-us open mic! It was at Hopskotch, which is a bar on Mathew Street, Liverpool. It’s a lovely looking bar with a good selection of drinks (we’ll go back one day to see what the food is like) including coffee and sparkling water for those of us whose drinking days are pretty much over.

Now, we love open mic nights. They’re a wonderful idea; listen to loads of different types of music (and in some cases, poetry and other types of performance) all on the same night for free; if you don’t like something, you only have to listen to five minutes’ worth of it and if you do like it you can find out more by chatting to the artist/s afterwards! Playing open mics is great fun too; try out new songs, practise performing in front of an audience and just generally have a wonderful time without quite as much of the pressure as a full gig (although any performance comes with a bit of nerves and we’d probably be a bit worried if it didn’t).

This particular open mic was a bit quiet; the fella organising it, Terry Gray, who was a lovely, amiable chap, told us that it was normally a bit busier which we can imagine, as these things tend to come and go in waves. It was pretty quiet that night but we think that it’s just as important to play sincerely and well in front of an audience of one or two as in front of hundreds.

Terry opened with some wonderful, imaginative covers and an original song, and sometimes at an open mic it’s easy to think, “gosh, how to follow that then?” We really enjoyed listening to him play and sing.

Next it was our turn and we sang a couple of originals and folk songs. One thing we’ve realised as a result of that open mic is that we really need to have pickups for both ukuleles, as it constrains playing hugely when trying to point the ukulele at an ambient mic at the same time as sharing a vocal mic. There were points where we felt we weren’t giving it the best that we could simply because we had to stand very still in order to make sure the mic was picking up the ukes. (Our best performances have in the past been either completely unamplified, or at gigs where a large number of microphones has been available to pick up what we’re playing.) It’s not reasonable to expect that someone running an open mic will have any more than one possibly two microphones, and as such we’re investing in another ukulele pickup (we already have one). The glockenspiel tends to carry pretty well, ditto the accordion, and the mandolin is semi-electric anyway but the ukuleles sometimes can’t be heard over an amplified vocal if they’re too far away from a mic.

This is part of the reason we love open mic nights too; you learn stuff and can take things away that help you improve your performance.

We also had a lovely chat with Terry’s friend and the bar did get a little busier as the set went on. We weren’t sure whether or not they’d come for the open mic itself or just for a drink in Hopskotch but it was great to have a bit of an audience.

We would definitely go to this open mic again; Hopskotch is a stylish venue and the free drink for performers is a lovely, welcoming touch. Terry’s a friendly chap and a talented performer, and hopefully when we go again there will be a few more performers to whom we can listen.

It’s on tonight in fact; for one reason and another we can’t be there at this one but if you’re looking for somewhere to perform in Liverpool city centre, or perhaps just wanting to hear a bit of live music this evening why not pop down?