Louise Jordan, Chris Callander, Esme Bridie... and us! Liverpool Acoustic Live at View Two Gallery, Friday 24th July

We had an absolutely wonderful evening last night at the ever-relaxing View Two Gallery. It's always strange to think, when sat there in the chilled out environment, surrounded by art, that down a few flights of stairs and out of the door is Mathew Street, Liverpool's home for revellers and merry-makers.

We arrived a little early which gave us chance to soundcheck (and spend half an hour tuning our now-ancient mandolin, which slips out of tune with so much as a look), have a cup of tea, and just relax.

We got a little chance to talk to Chris Callander and Esme Bridie before the show began; Louise Jordan then arrived after having had an epic - and not particularly fun - journey up to Liverpool! After her soundcheck, the event started, first with Esme.

Esme immediately wowed the audience with her lilting voice and assured guitar playing. Our favourite of hers was a song called "Dirty Hands", with some captivating chord changes. We would really like to go and see Esme play again.

Next up it was our turn; we had brought along many of our instruments, but also made use of the gallery's wonderful grand piano. We played classic folk ballad Reynardine (Roud 397), b-side of our recent single, and then a selection of original songs, including a live version of (There's No Such Thing As) Wandering Stars, which we sat at the piano together to sing and play. Due to us both being sat at the piano, we went completely unamplified for this, but were told afterwards that our voices still carried.

We played a variety of songs from our début album, Amateur Astronomy, including the title track from the album, and a shorter live version of our epic mediaeval-themed song, Stars and Moon and Me and You, Love, for which we used the psaltery unamplified; the sound is pretty loud even without a mic! We finished with an a capella song, When I Was Your Age, which is not currently available for streaming but is a bonus track on our album.

We had a wonderful time performing but were glad to sit down and grab a coffee!

Next up was Chris Callander. Chris' songs are honest and passionate and his guitar playing is pretty much virtuoso! We especially loved his wonderful song Ghosts of the Old Casartelli, and spent a while racking our brains trying to work out where the landmark was! A wonderful set, and we've thoroughly enjoyed listening to his CD today too!

Finally came the headline act, Louise Jordan. Louise is a skilled musician; a lilting pianist and fluid guitarist. Her voice is a joy to hear; she makes it seem so effortless and weightless. She played beautiful, interesting songs, many in that folk tradition where the telling of the history behind the song is as much a part of the act as the song itself. Hard to pick a favourite, but her musical interpretation of the AA Milne song, Rice Pudding Again, was strangely haunting for a lullaby.

We bought her latest album, Veritas, and played it in the car on the way home. It's fantastic, and we would recommend it to all of you.

We hope she got back safely and that she returns to Liverpool again, soon.

Thanks to everyone who came; thanks to Graham for putting on such wonderful acoustic gigs; thanks Stuart for the sound, and Ken at the gallery for holding the event; finally thanks to Esme, Chris, and of course Louise for the wonderful music!

Review: Liverpool Sound and Vision review of Amateur Astronomy

We've been blessed with another wonderful review of our début album, Amateur Astronomy, this time from prolific music writer, and poet, Ian D. Hall, at Liverpool Sound and Vision.

"...ample splendour offered by Moss & Jones..."
"...captures the imagination and asks questions of the listener..."
"...deeply profound..."
"In Amateur Astronomy they have one eye on the music of the past but also one foot in amongst the stars."

If you'd like to hear the music for yourself to see if it matches up to the review, you can stream it for free from Soundcloud or Bandcamp, and it's available from Bandcamp as a CD for £5+postage (Royal Mail: 95p in the UK) or as a digital download for £4. Both CD and download contain a bonus track not available for free streaming. 

Debrief: launch gig, Sunday 28th June, The Ethical Glass

There seem to be two types of launch gig; those that are all-singing, all-dancing, a cracking line-up, a huge venue... and no CDs due to a miscalculation of the production time. I've been to more than one of these, and I think the problem is that to arrange something so huge, it has to be done months in advance, which means taking a guess at exactly when the CDs will be ready. I've always felt sorry for those musicians who've had this happen to them; arranged a magnificent gig only to have nothing to sell.

And then there's the other type; a low-key gig at a small, cosy venue. In order to avoid having no CDs, we opted for the latter. We waited for our CDs to arrive, then quickly arranged a free gig at a new-to-us venue in Liverpool called The Ethical Glass via a lovely chap called John who saw our 'venue suggestions please' post on the Liverpool Bands noticeboard on Facebook. 

We invited everybody and were chuffed when a not insignificant number of people turned up to hear us. We appreciated people taking the time on a sunny Sunday afternoon to hear us play in a basement! That's dedication and we're tremendously grateful! There's nothing to quell the nerves like looking out and seeing friendly faces there in support. 

After the Ethical Glass regulars played a lovely mix of country covers, we took to the stage. It's always great to turn up to a venue that has 'regulars' and some of them genuinely seemed to enjoy our set. We played some traditional folk songs, followed by playing the songs from our album, Amateur Astronomy, and its bonus track, too, utilising a large cross-section of our instrumental panoply, including psaltry, mandolin and treble recorder... and more. 

Ebeneezer Goode: "it's a bit like a folk song in that it's
a narrative tale about a roguish anti-hero."

Finally, because quite a few people clapped for a good long while at the end, we came back on stage briefly to play an encore; our folky version of 90s rave classic, Ebeneezer Goode.

Thank you so much to Mark at The Ethical Glass for letting us grace your stage, thank you to John for sorting it all out, and huge, huge thanks to everyone who came along to hear us play, and bought our music! 

Our next gig is playing for Liverpool Acoustic in support of Louise Jordan, alongside Chris Callander and Esme Higgins, at View Two Gallery in Liverpool, in the evening of Friday 24th July. Tickets are available from WeGotTickets for £5.50 or on the door for £6. 

Amateur Astronomy: IT'S HERE!

We are absolutely delighted to be able to bring you our début CD, Amateur Astronomy. 

Our CD has been described by folk reviewer Helen Gregory as "the sound of the resilience of humanity, of all that is precious about our everyday lives which nevertheless knows full well that, although the world is too often a cruel and uncaring place, there is still respite to be found in making music and letting truth and beauty grow and bloom in their own time". 

When buying the CD online, the price includes an immediate download in case you cannot wait to listen; the download also includes a lyric sheet in case you wish to sing along. Please do tweet us @mossandjones when you've listened, and let us know what you think!

Lyrics to and influences on each track can be found on our scrapbook: Shepherd's Delight (It's Not Time To Go To Bed), (There's No Such Thing As) Wandering Stars, I See The Moon, Millbrook, Ella Brown, Amateur Astronomy, Stars And Moon And Me And You, Love, and our bonus track. 

All tracks are streamable for FREE on Bandcamp (with the exception of the bonus track, available on purchase). The CD, including immediate download of all tracks, is £5 to buy and is available from Bandcamp.

Two reviews

We have been lucky enough to have received two lovely reviews of our three-track single, Ella Brown. 

The first is from music reviewer and folk aficionado Helen Gregory. She says:

It’s a rare and welcome thing to find artists who draw their inspiration from a wide range of music, particularly folk, and yet still manage to add their own individual stamp and avoid sounding derivatively homogeneous.

Read the whole review on her blog.

The second is from Liverpool reviewer Ian D. Hall over at Liverpool Sound and Vision. He says:

Ella Brown is an acoustic high, a tremble of variety, the huge wedge of sincerity and unabashed sense of the natural, Ruth Moss’ voice towers above the set scene and lifts the story up high. 

The whole review is over at his website. 

Thank you Helen and Ian for writing about our single. 

Kathryn Williams, Robert Vincent (and us) at Leaf, Liverpool, Wednesday 10th June

On Tuesday 9th June, all we had planned for Wednesday night was a quiet evening in.  However, we ended up opening for Kathryn Williams (supported by Robert Vincent) at Leaf in Liverpool City Centre.

Originally, The Coral's Lee Southall was due to open the gig, but unfortunately had to pull out at the last minute due to illness (hopefully he’s much better now). This left Kathryn Williams without an opening act, and a twitter call went out for a replacement.

(At that point we were sat in the back yard writing a shopping list.)

When we went back inside, Ruth’s ‘phone had multiple notifications flashing up. We wondered what had happened.  Then we checked our twitter, Facebook and email. It turned out that our friend Helen, writer for Folk Radio UK and generally lovely person, (and who recently reviewed our single, Ella Brown, on her blog) had suggested that we might be a good fit for an opener, and Liverpool Acoustic had agreed (thank you, Graham), and were we available?

Well, we were over the moon, and once we were told it was fine to bring along Ruth’s little boy on the night, we set to work, putting together a set list for the 25 minutes (including our single, Ella Brown, a few pieces from our forthcoming album, Amateur Astronomy, and some traditional folk songs), and rehearsing.

Thanks to Kev McCready for this picture of us playing our set.

The next day, we went straight from our separate workplaces to Leaf and when we arrived, we were lucky enough to catch the end of Kathryn’s soundcheck (which included a run through Mirrors, and involved loop pedals). After Rob Vincent’s soundcheck, then ours, we were raring to go; very excited, but somewhat daunted too. Kathryn and Robert were both lovely.

By eight o’clock a couple of friends had turned up to give us support, and the place was pretty full. It was probably the largest indoor crowd we’ve ever played to, and one minor finger-slip aside we thought we played a good, short, sweet set, and later that night, BBC Radio 2 DJ Janice Long (who was at the gig) seemed to agree; on her show, she said we were “amazing, absolutely mesmerising”.

Then, we could relax. Rob Vincent played a lovely set, full of mellow, tuneful songs, with lilting guitar and a wonderfully strong voice, ending with Demons, an incredibly honest song about overcoming fears. We'd definitely go and see him again. 

After that it was time for Kathryn Williams’ set. In addition to some earlier material, she played songs from her new album Hypoxia. As you might expect from an album based on Sylvia Plath’s The Bell Jar, it got very intense at times (have you heard Cuckoo? Compellingly visceral and her performance was jaw-dropping) but Kathryn’s stage demeanour between songs added a light touch to it all. She ended by covering a Neil Young song with her sister on stage; a moving ending to a wonderful night. If you get chance to go and see her elsewhere on her tour you really must, and do buy her album!

We were so privileged to be able to open this gig, and we hope very much that people who attended to see Kathryn, and Rob, also enjoyed our set. A couple of people bought our album, Amateur Astronomy (it’s not out until 28^th June but we took some copies along to the gig) and if that was you, we’d love to hear your thoughts on it.

Thank you so much to Ben, Helen, Graham, Kathryn, Rob, Dylan and all at Leaf for having us, and for such an amazing night, and thank you Janice for your kind words.

Ella Brown, our new three-track single

We were watching a documentary the other night about Brian Eno and he talked about the idea of releasing a song being akin to setting something free. Well, Ella Brown, our three-track single, has been free to roam for a week today. We thought we'd tell you all about it!

Ella Brown
The title track is a love song of sorts. It's about being young, and feeling that you're falling in love with someone who happily lets you admire, adore and even worship them, but doesn't give you much by way of return. Many of us have been there, and it's about learning from that, and moving on.

Ruth wrote the song and we arranged it together for our voices, and ukulele, violin, mandolin and melodica (the latter was a wedding present from one of Marc's musician friends; we married late in 2014). The middle eight, as some of you have worked out, is loosely based on Thomas Tallis' choral work, Why Fum'th in Fight (also famously magpied by Ralph Vaughan-Williams).

Recording
We recorded the song at Catalyst Studios, St. Helens. Andy Bowes is a fantastic producer and as we hadn't spent much time in a studio before, he helped us through the whole process. We actually paid for our time in the studio with vouchers we'd received as wedding gifts!

The cover art
Ruth's colleague and friend Michelle Quinn is a fine artist whose quirky, semi post-impressionist style first caught our eye when she painted us a TARDIS-themed card for our wedding. We asked how she'd feel about painting a picture for our single cover and she agreed! We were chuffed when she came up with three designs for us to choose from. Initially, we preferred one of her other designs, however, when it came time to put out the single, we unanimously changed our mind; how could Ella Brown be represented by anything other than this painting?

The violin
The violin Ruth plays on Ella Brown was hired from Mike Phoenix Violins in Liverpool. Ruth does have her own violin but the tone isn't particularly mellifluous, and it's more for playing at home. In fact, it was while we were in the Bluecoat in Liverpool looking for an engagement ring that we chanced upon Mike Phoenix; he offered to let Ruth play one of his violins, and she remembered how much she loved to play the instrument. However, she put it out of her mind until a few months later. Noted St. Helens indie band, The Loungs, were looking for someone to play violin on one of the tracks on their new album, and Ruth said she would do it if they couldn't find anyone else, but pointed out she was hardly Vanessa Mae, and her violin was far from a Strad. They kindly offered to hire a violin for her; she contacted Mike Phoenix to see if he could advise on where to hire a violin... he said he could loan her one, but for a minimum of three months... and that's how we ended up with this gorgeous sound on our track!



The b-sides
Reynardine is a well-known folk ballad (Roud 397); depending on who you believe it's either a spooky tale of a charming werefox, or a song about a brigand who tricks a girl into doing his bidding. We've kept our arrangement simple, partly because we think it's the latter!

When researching the song, we wondered what the lyric '"oh no, no rake am I!" he cried, "brought up on Venus' train..."' meant, so we looked into it; apparently, it means that Reynardine exclaims that he cannot be a rake - a conman, a seducer - because he was brought up in the company of women. (Certainly some of us have heard something similar to that line before; it's as if he is protesting that he's not a misogynist; how can he be? He has a mother and sisters!)

Both of our b-sides were recorded by our friend Kerry Foster. Kerry has known Ruth since their children were babies, but recently, Kerry started doing a music degree at St. Helens College, and was looking for a band to record as part of her degree. We were delighted when she asked us, and these two tracks were the result. We think she's done an amazing job!

Molly is a jig based on Molly/Polly put the Kettle on, or Jennie's Baubie, which we play on violin and melodica. It's a simple tune but we love it partly because it starts cheerfully and breezily but as it progresses, it finds some depth. Plus, there's never a moment in our house when we don't have a brew in our hands. We played straight through this live in the studio while Kerry recorded it.


Reception
So far, we've had one amazing review of our single which called it "engaging and very listenable," and said lovely things about our voices and musicianship. We've also had some fantastic comments about it on twitter and Facebook:
... all your tracks are a "declaration d'amour"...
... brightens my day, causes me to hum along, and tap my toes!
EVERYONE SHOULD LISTEN
... cracking job on the tracks...
love these folky vibes! Beautiful vocal harmonies too :)
AWESOME! It's awesome! 
Lovely! I love the melodica on Ella Brown!
... haven't stopped chanting it for days...
Beautiful people need to hear beautiful things
Lovely couple pouring their hearts into some ... folk music
I just love this track...

and our favourite:

I've just listened to Ella Brown and whilst I'm not into folk music at all... I have to say I absolutely LOVE it.

So, what do YOU think? 

Pricing and licensing
We've decided to make this track Pay What You Like. This means that you enter whatever you'd like to pay - even nothing at all - into the Name Your Price box when you click Buy Now. Obviously, when our EP, Amateur Astronomy, comes out, we will have to charge for it (though nothing exorbitant), otherwise we'd be running at a loss and be unable to afford to make any more music. But for the single, we're happy for people to pay anything or nothing at all. We've also licensed it under Creative Commons; without going into too much detail, this means that the tracks aren't copyright; so for example, if you want to make a video and you're looking for a background track, you can use any of ours from the single without having to pay a penny, providing you credit us. It's another way we're saying thank you to people for supporting our music.

What can you do?
Well, if you've made your way through this blog post, you've already done something lovely for us! But if you'd like to help even more, we would love for people to share our song on Facebook. It's a very mysterious business, getting people to "share" content over there; there are myriad blog posts about it and a tonne of research but still no one seems to completely understand what makes people click the "share" button rather than the "like" button! So we're just going to ask; it would help us greatly if you could share our posts on Facebook. On twitter, mini reviews help us an awful lot. Even just a quick tweet to say "love the new single @mossandjones" or something similar will go a long way in persuading other people to have a listen.

At the end of the day, we aren't doing this to make money (if we wanted to make money from music we'd stick with cover songs and do wedding after wedding) but at the same time, we do want people to listen to our songs, otherwise we might as well just stay at home and play them to each other and to Ruth's eight year old child. (Obviously, we do that anyway!) So if you like our music, and want us to keep making it, it's as simple as this... download it, and tell your friends about it!

Thanks for reading!
Ruth & Marc xx
(Moss & Jones)